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27 September 2026

馃帶 住讜讻转 砖诇讜诐 – 谞注讬诪讜转 诇住讜讻讛 诇诇讗 诪讬诇讬诐 | Sukkat Shalom Sukkot Instrumental Music No Vocals

 


Sukkat Shalom – Sukkot Melodies Without Words
A special high-quality collection of Sukkot songs, Hallel songs and diverse piyutim from all corners of the Jewish people
A musical meeting between Chassidic, Mizrahi, Jerusalemite and Moroccan styles – just like the Sukkah of Peace spread over us
Performed on gentle flute, violin and piano, with subtle percussion accompaniment – warm and moving instrumental arrangements
A spiritual soundtrack for the days of the holiday, Ushpizin and Simchat Beit HaShoeva

IN CELEBRATION FOR THE MITZVAH OF SIMCHA, FOLLOWING IS A TAPESTRY OF MUSICAL DELIGHTS

讞讙 住讜讻讜转 砖诪讞

 注诐  (Yisrael)

砖讬专 诪砖诪讞 讜诪拽驻讬抓, 转讙诇讬转 诪讜讝讬拽讛 讛讬讛讜讚讬转, 讜讛诇讞谉 讜讛诪讬诇讬诐 谞讜诇讚讜 诇讬 讘住诇讬讞讜转 讞讜讚砖 讗诇讜诇 讜讬诪讬诐 讛谞讜专讗讬诐

 

讚讗谞住 住讜讻讜转 - 讗讘专讛诐 注讝专 & 讗诇讬讛讜 诇讬讬驻注专 & 诪讗讬专 讘专讬拽诪谉

A Beautiful Voice

Chaim Freund – A Sukkahle | 讗 住讜讻讛’诇注 | Official Music Video

 


A small sukkah made of simple, mismatched boards and covered with a bit of schach. The cold wind blows through the cracks and puts the candles out, yet somehow his little lights burn perfectly still. For almost two thousand years that sukkah has kept standing, and we're still waiting for the day Hashem raises up the fallen Sukkah of David. Chaim Freund's rendition of a classic Yiddish Sukkos song, brought to life in a handmade papercut world. Gut Yom Tov & Chag Sameach! 馃崑馃尶 馃幍 Lyrics / Translation 讗 住讜讻讛’诇注 讗 拽诇讬讬谞注, 诪讬讟 讘专注讟注诇注讱 讙注诪讬讬谞注 A little sukkah, small, of simple boards 讛讗讘 讗讬讱 诪讬专 讗 住讜讻讛’诇注 讙注诪讗讻讟 I built myself a little sukkah 讘讗讚注拽讟 讚注诐 讚讗讱 诪讬讟 讗 讘讬住注诇注 住讻讱 I covered the roof with a bit of schach 讝讬抓 讗讬讱 诪讬专 讗讬谉 住讜讻讛’诇注 讘讬讬谞讗讻讟 And I sit in my little sukkah at night 讗 讜讜讬谞讟 讗 拽讗诇讟谉 讘诇讗讝讟 讚讜专讱 讚讬 砖驻讗诇讟谉 A cold wind blows through the cracks 注住 诇注砖谉 讝讬讱 讚讬 诇讬讻讟注诇注讱 驻讬诇 Many little candles go out 注住 讗讬讝 诪讬专 讗 讞讬讚讜砖 讜讜讬 讗讬讱 诪讗讱 诪讬专 拽讬讚讜砖 It's a wonder to me, as I make kiddush 讗讜谉 讚讬 诇注讻讟注诇注讱 讝讬讬 讘专注谞注谉 讙讗谞抓 砖讟讬诇 How the little lights burn perfectly still 讝讬讬 谞讬砖讟 拽讬讬谉 谞注专, 讛讗讘 谞讬砖讟 拽讬讬谉 爪注专 Don't be foolish, don't be sad 讝讗诇 讚讬专 讚讬 住讜讻讛 谞讬砖讟 讝讬讬谉 讘讗谞讙 Don't feel bad about your sukkah 注住 讗讬讝 砖讜讬谉 讙讗专 讘讗诇讚 爪讜讜讬讬 讟讜讬讝谞讟 讬讗专 It's already almost two thousand years 讗讜谉 讚讬 住讜讻讛’诇注 讝讬 砖讟讬讬讟 谞讗讱 讙讗谞抓 诇讗谞讙 And the little sukkah is still standing strong 讗讜讬 讛专讞诪谉 讛讜讗 讬拽讬诐 诇谞讜 讗转 住讜讻转 讚讜讚 讛谞讜驻诇转 May the Merciful One raise up for us the fallen Sukkah of David 馃幀 Credits Music & Vocals: Chaim Freund Lyrics: Avrom Reyzen (Abraham Reisen), adapted from his Yiddish poem "In Suke" Melody: Traditional Recording Studio: Number 9 Audio Group Video, Concept, Art Direction & Animation: Lavi Klein

讗砖 拽讜讚砖! 讛专讘讘讜转 讘讬转 砖诪砖 诪拽讘诇讬诐 讻注转 讗转 驻谞讬 诪谞讛讬讙 讛讚讜专 诪专谉 讛专讘 诇谞讚讜 讜诪专谉 讛专讘 讛讬专砖 讘讻谞讬住转诐 诇诪注诪讚 讛讗讚讬专

 

诪讞专讜讝转 住讜讻讜转 砖诪讞讛 馃幎 | 讜砖诪讞转 讘讞讙讱 • 讗转讛 讘讞专转谞讜 • 诪驻讬 讗诇 • 住讜讻讛 讜诇讜诇讘 | Keisar Studio

 

诪讞专讜讝转 住讜讻讜转 讜砖诪讞转 转讜专讛 | 讻诪谞讛讙 讬讛讜讚讬 讻讜专讚讬住讟谉

 

V'harenu - Shea & Avrumi Berko - Yeshiva of Spring Valley

 

诪讞专讜讝转 讞讙 住讜讻讜转 "住讜讻转 砖诇讜诐" - 讗讜诪谞讬 讘讬转 砖诪砖 #2

 

住讜讻讜转 诪讬专讜砖诇讬诐 - 讜ְ砖ָׂ诪ַ讞ְ转ָּ 讘ְּ讞ַ讙ֶּ讱ָ: 注谞拽讬 讛讝诪专 讛诪讝专讞讬 讜讛讞住讬讚讬 讘住讜讻转讜 砖诇 专讗砖 讛注讬专 诪砖讛 诇讬讗讜谉

 

住讜讻讛 讜诇讜诇讘 - A Tapestry of Sounds

 

讗讬讱 讗驻砖专 诇爪讜讜转 注诇 讛讗讚诐 诇讛讬讜转 砖诪讞? | 讛讙讗讜谉 讛讬谞讜拽讗 讘讛讬诇讜诇转 专讘讬 谞讞诪谉 – 讚讘专讬 转讜专讛, 砖诪讞讛 讜谞讬讙讜谞讬诐 讘住讜讻讛

 

砖讬专 诇住讜讻讜转 讘讝讻讜转 讛讗讜砖驻讬讝讬谉 讘讙专住转 诪讬拽住

 

馃挜讛讬讜砖讘 讘住讜讻讛 诇诇讗 讗讬砖讜专 讘讟讬讞讜转 诇讗 诪拽讬讬诐 诪爪讜讜转 住讜讻讛: 讛讗讝讬谞讜 诇讛讻专注讛 讛讚专诪讟讬转 诪诪专谉 讛专讘 讝讬诇讘专砖讟讬讬谉 砖诇讬讟"讗

 

馃敟讝讜 诪注专讻讛 砖诇 讛转讜专讛 讘注爪诪讛! 诪谞讛讬讙 讛讚讜专 诪专谉 讛专讘 诇谞讚讜 驻讜转讞 讗转 诪注专讻转 讛讘讞讬专讜转 讛讙讜专诇讬转 讘诪注诪讚 讛讗诇驻讬诐 讘讗诇注讚

 

Rebbetzen Tziporah: Succos

 Dear friends,

As Sukkot approaches, I’ve been thinking about something that struck me in the very first place where the Torah mentions a sukkah.

It is when Yaakov returns home. The Torah tells us that he builds a bayit for himself, but makes sukkot for his animals.

I find that distinction fascinating. Yaakov needs a house for himself – a place that is solid, stable and protective. But the animals get a sukkah.

Animals have an important place in Torah thought. We draw close to Hashem through the animal world; after all, animals are what we bring as korbanot. There is something very deep about taking the animal part of creation and directing it upward.

But there is another side to it. We also have to be careful that the “animal self” doesn’t end up directing us instead of the other way around. Perhaps this is part of what we are thinking about during Sukkot, when the seventy bulls decrease day by day until, at the end, there is only one. We move from the many nations toward the one nation that has its own particular relationship with Hashem.

So perhaps there are two things happening at once: the bayit that Yaakov builds for himself symbolizes strength and protection, while the sukkah reminds us that even the animal part of ourselves can be brought into the relationship with Hashem.

And that made me think about a different question: What actually protects a person?

I’ve been thinking about three foundations: metziut Hashem – Hashem’s presence and reality; Torah; and hashgachah pratis.

They are really three different dimensions of living with Hashem.

First: Metziut – Hashem is really there

The first thing we need is the most basic thing of all: the awareness that Hashem is not an idea. He is there.

That sounds obvious, but perhaps it is the hardest thing to live with consistently.

There are times when Hashem’s presence is easy to feel. There are moments of beauty, of unexpected kindness, of tefillah that suddenly feels real. And then there are other times when the world seems almost designed to make His presence difficult to see.

Water is a wonderful metaphor for this. It has no fixed form. It moves, changes shape and refuses to be held in place.

Sometimes life feels like that. We know what we thought Hashem was going to do, and then He does something completely different. We ask, “Where is He?” Not because we have stopped believing, but because the reality in front of us doesn’t look anything like the reality we expected.

Moshe asked questions. Rabbi Akiva had to confront a world that seemed impossible to understand. The fact that we have questions does not mean that Hashem has disappeared. Perhaps one of the deepest forms of emunah is learning that His presence does not depend on my ability to see what He is doing.

The sukkah itself is an interesting response to this. We leave the house – the place where we feel that we are protected by walls, locks, furniture and all the things we have arranged ourselves – and sit in a structure that is deliberately temporary.

And somehow, that is where we are supposed to feel safe.

Second: Torah – Hashem has something to say to us

But knowing that Hashem exists is not enough.

If Hashem is there, the next question is: What does He want from me?

That is where Torah comes in.

The midbar is almost the opposite of water. Water is everywhere but has no form. The midbar is a place where there seems to be nothing. No civilization, no obvious resources, no comfortable infrastructure.

And yet that is precisely where we received the Torah.

Perhaps one of the challenges of living in the modern world is the feeling that Torah is somehow impossible. We look around and see a society with completely different assumptions about what matters, what is desirable, what constitutes success, and even what it means to be a good person.

Sometimes the question isn’t, “Does Hashem exist?”

It is, “Can I actually live according to what He asks of me?”

The answer of the midbar is that Torah doesn’t depend on the environment being friendly to it.

The Torah was given in a desert.

And perhaps that is why the Torah is not merely a book of information. It is a way of turning the awareness of Hashem into a way of life. It tells us what to do with our hands, our money, our speech, our relationships, our appetites, our anger, our time and our homes.

It takes the belief that Hashem is there and turns it into something concrete.

Third: Hashgachah pratis – and Hashem is there in my particular life

But there is still one more step.

It is possible to believe that Hashem created the world, that He gave us the Torah, and still feel that somehow my little life is just one tiny piece of an enormous machine.

That is where hashgachah pratis comes in.

Yerushalayim and the Beit HaMikdash give us a beautiful picture of this.

Thousands of people could be standing in the same place, looking at the same Mikdash, participating in the same avodah – and yet each person stood there as an individual.

Hashem’s relationship with us is not only with “the Jewish people” in some abstract sense.

It is with me.

My particular life. My particular circumstances. The people I happen to meet. The opportunities that come my way. The disappointments I didn’t plan. The things that open unexpectedly. The things that don’t open no matter how hard I try.

Hashgachah pratis is the belief that my life is not just a collection of unrelated events.

That doesn’t mean that I understand the reason for everything that happens. Quite the opposite. Very often I have absolutely no idea why something happened.

But I don’t have to understand the whole picture in order to believe that there is a picture.

And perhaps this is where the three ideas come together.

Metziut tells me: Hashem is here.

Torah tells me: Hashem has something to say to me.

Hashgachah pratis tells me: What happens in my particular life is not outside the relationship.

Together they create a very different way of seeing the world.

And perhaps that is what bitachon really means. Not that I know that everything will turn out the way I want. Not that I can predict what Hashem is going to do. Rather, I can live with the conviction that I am not alone in the world.

Hashem has given us a world that can be used. Everything that comes toward us can somehow become part of our relationship with Him. We can take what happens to us and, instead of allowing it simply to happen to us, direct it toward Him.

And that may be one of the beautiful lessons of the sukkah.

We leave the solidity of our houses and sit under something temporary and vulnerable. We deliberately put ourselves into a place where we cannot pretend that we are completely in control.

And yet we are not abandoned. 

We are sitting under the schach.

Under the clouds of glory.

Even the animal self has a place there.

Maybe that is why Sukkot feels so different from the other Yamim Tovim. There is something wonderfully physical about it. We don’t just think about bitachon. We sit in it. We eat in it. We talk in it. We invite people into it. We sleep in it.

For seven days, we make our temporary shelter into our home.

And perhaps Yaakov’s two structures capture something we all need.

We need a bayit – a place of strength, stability and protection.

But we also need a sukkah – a place that reminds us that ultimately our security does not come from the walls we have built.

Maybe real security is not knowing exactly what is going to happen.

Maybe it is knowing Who is with us while it happens.

Anyway, these are some of the thoughts that have been wandering around my head as Sukkot gets closer.

And now I’d love to hear from you.

What does your sukkah look like this year? Is it the same one you’ve had for years, or did something change? Is it beautifully decorated, completely simple, or somewhere in between? Is there one thing in it that somehow makes it unmistakably your sukkah?

And when you sit there – especially in those quieter moments when everyone has finally stopped talking – what do you find yourself thinking about?

Wishing all of you a beautiful, peaceful and very happy Sukkot.

May we all have the privilege of sitting in our sukkot with the people we love, enjoying the extraordinary mitzvah of simply being there – and feeling, at least for a little while, that we are sitting under Hashem’s protection.

Much love,

Tziporah

And for Sukkot Simcha Sweetness……

 For your reading pleasure from myrtlerising:

https://myrtlerising.weebly.com/blog/what-the-discontinuation-of-sunkist-fruit-gems-probably-implies>

讛专讘 讬注拽讘 讘谉 讬爪讞拽 讝爪"诇

 

Yaakov Ovinu zt"l

讛专讘 讬注拽讘 讘谉 讬爪讞拽 讝爪"诇

Tishrei 15 , 2256

Father's Name: Yitzchok Ovinu

(ca. 1655 – B.C.E. – ca. 1505 B.C.E.) Known as the "chosen one" of the "Avos," the "Founding Fathers" of the Jewish People, son of Yitzchak father of the Twelve Tribes.  He was the third Avos of the Jewish People.
Yaakov Avinu is described in the Torah as “a wholesome man who sat in the tents,” meaning that he learned Torah in the Academy of Shem and Ever. When he was 15, he bought the right of the first born from his twin brother Esav and later succeeded in receiving the blessing from his father Yitzchak. His brother wanted to kill him because of that and he fled to Charan where he married the daughters of his uncle Lavan – Rachel and Leah. He also had two concubines, Zilpah (Leah's handmaiden) and Bilhah (Rachel's handmaiden).
He was in Charan for 20 years and fathered the 12 Shevatim and a daughter, Dina. Due to a famine in the Land of Canaan, he and his family, numbering 70 souls, went down to Mitzrayim, where he passed away. He asked his son Yosef, the Viceroy of Egypt, to bury him in Meoras Hamachpeila in Chevron next to his wife Leah.

https://breslev.com/259087/

19 Powerful Kavanos for the Mitzvos of Sukkos

 

砖讜讗讘讬诐 专讜讞 讛拽讜讚砖 - 诪注诪讚 讛拽讘诇转 驻谞讬 专讘讜 讜诪诇讞诪转讛 砖诇 转讜专讛 讘专讗砖讜转 专砖讻讘讛"讙 诪专谉 讛讙讗讜谉 专讘讬 讚讘 诇谞讚讜 砖诇讬讟"讗

  Started streaming 35 minutes ago 讻讘讜讚讛 砖诇 转讜专讛 诪注诪讚 砖诪讞转 讬讜"讟 讜讛拽讘诇转 驻谞讬 专讘讜 诇诪讜诇 驻谞讬 专砖讻讘讛"讙 专讘讬谞讜 讛讙讚讜诇 诪专谉 讛讙讗讜谉 专讘讬 讚讜讘 诇谞讚讜...